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Fear of Roaming
All*About*Jazz
by Mark F. Turner
The debate on whether jazz musicians should use
acoustic versus electric instrumentation has been going on since Miles Davis and
others produced fusion in the early '70s. Yet thankfully, artists have continued
to search and have found avenues to create music that successfully incorporates
both traditional and modern ideas, and such is the case with Fear of Roaming by
the Sangha Quartet.
While the quartet's name may be unfamiliar, its
members include the combined talents of saxophonist Seamus Blake, pianist Kevin
Hays, bassist Larry Grenadier, and drummer Bill Stewart, each of whom is a
prolific and noteworthy musician in his own right. But what quickly becomes
apparent is the high level of musicianship and chemistry the quartet shared in
creating this memorable recording.
Captured in the studio after a tour of Europe,
the quartet recorded the eight selections in a single afternoon without the use
of fixes or overdubs, resulting in spontaneous and open music. The skillful and
balanced use of technology such as delay, loops, and other effects enhances the
standard jazz quartet sound with creative energy.
This is evident on the opening piece “The
Modern Things” by Euro-pop sensation Björk, which begins with an echoing
saxophone intro joined by acoustic piano, bass, and culminates with open solos
that make use of a variety of effects and textures. The contrast of these
different musical timbres makes for a listening experience that is both
traditional and forward-looking.
On the aggressive “What Survives” Hays uses
over-amplified keyboards and a clavinet-like voice to color the music as the
other members drive the melody which then segues into the dramatic “Du Pre,”
featuring some superb bass work and soloing by Grenadier.
Other points of interest include the
wonderfully strange “Black Elk” with Hays providing a haunting wood flute solo,
and some fine sax work by Blake on the title “Fear of Roaming.”
Things end with a post-bop galactic ride on
“Stellar,” with strong drum work by Stewart, and the funky antics of “Grind,”
featuring some nice and nasty tones from Hays' keyboard. Regardless of the
technical wizardry, in the end it is all about good music, and Fear of Roaming
is a rewarding and pleasant experience that is highly recommended.
~ Mark F. Turner
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